Photo: Caroline Bergeron


According to the magazine Musical Toronto "Prynn has a particularly silken bowing arm and remarkable control. Everything he played was poised, seamless and impeccably shaped."

During his career as a soloist, as a member of the Trio Fibonacci, and as a guest artist with diverse ensembles, notably the Ensemble Alternance in Paris, Gabriel has both resurrected forgotten masterpieces and premiered over sixty new works. Gabriel has performed at Toronto’s St. Lawrence Centre, Merkin Hall in New York, at the Musée d’Orsay in Paris in association with IRCAM and Radio-France, at the Aldeburgh Festival (UK) and at the Forbidden City Concert Hall in Beijing.

He is passionate about teaching, and in addition to his current position at Ohio University has given masterclasses, coached chamber music, and given workshops at such prestigious institutions as the École Normale de Musique (Paris), University of South Africa, University of Curitiba (Brazil), Royal Academy of Music (UK), Conservatory of Belgrade (Serbia), Conservatory of Nagoya (Japan), Hochschule Hanns Eisler (Berlin, Germany) and at the University of Oxford (UK).

Gabriel’s most influential teachers were Clive Greensmith (Tokyo Quartet), David Finckel (Emerson Quartet) and Daniel Domb, Principal Cellist of the Toronto Symphony from 1974 to 2009 and a protégé of Paul Tortelier. Gabriel also received invaluable chamber music coaching from Menahem Pressler, Valentin Erben (Alban Berg Quartet), Arnold Steinhardt (Guarneri Quartet), Richard Young (Vermeer Quartet) and Eberhard Feltz in Berlin.

Gabriel has collaborated with some of the most respected composers of our time, notably Mauricio Kagel, Pascal Dusapin, Jonathan Harvey, Georges Aperghis, Hannah Lash, George Tsontakis, and Henri Pousseur. From a pedagogical point of view, it can be said that new music presents the student musician with unique technical and interpretive challenges. Gabriel’s recent doctoral research on the subject, which won him the Luc Vinet Prize for Excellence from the University of Montreal, has led to his book, Taming the Cello, a handbook of contemporary cello for student string players and composers which is due to be published in 2017.